Selasa, 14 Desember 2010

MANOWAR

Manowar born in Auburn, New York, which formed in 1980. They are known for writing lyrics with an emphasis on fantasy and mythologic topics.

Joey DeMaio was working as a bass tech / pyrotechnic for Black Sabbath when he met with guitarist Ross the Boss, playing for a group called Shakin Street, a Black Sabbath support band. They later recruited Eric Adams for vocals and Donny Hamzik for the drums, to create Manowar — a band with an unusual epic sound. Manowar recorded Battle Hymns, their debut album, which featured "Dark Avenger", a slow epic track with narration by Orson Welles. (Welles returned on the Into Glory Ride album and did the narration on another slow track called "Defender". This song was later reworked for the band's Fighting the World album.)
Drummer Scott Columbus joined the band for their second album, Into Glory Ride. Their official biography states that custom stainless steel drum kits had to be built for him because his drumming technique was so "vicious" that it ruined standard kits. Custom equipment was built for the band by John "Dawk" Stillwell, which helped achieve the massive sound.
The band prevailingly performs in and around Europe, South America (especially Argentina and Brazil) and Japan.
The band is also notable for its ownership of their entire operation. Record recording and distribution, as well as merchandise, are all controlled by the band. Singer Eric Adams has said that the reason for this is that the band has received unfair treatment financially in the past, and also to ensure the highest quality production. The band's label, Magic Circle Music, includes other bands such as Rhapsody of Fire.

Minggu, 12 Desember 2010

METAL CHURCH



 
History 

1979:
- At age 14, Adam formed a cover band, Tyrant, with singer Geoff Tate who later formed Queensryche.

1980:
- Adam met Edward Van Halen in a hotel in Tacoma Washington. He asked Eddie to sign his guitar and wound up getting a three hour guitar lesson. Those three hours changed his life forever. Adam later in the year joined a local Seattle band, TKO.

1981:
- TKO few to Honolulu, Hawaii to work with record producer Rick Keefer. Ten songs were recorded for an album titled “In Your Face.”
- At age 16, Adam was asked to audition for Kiss. He flew to Los Angeles and played three songs with Kiss.

1982:
- Adam moved to Hollywood and lived with a guy named Jeff Isabelle who called himself “Izzy.” (A few years later, Izzy started Guns ‘N’ Roses.) The apartment was adjacent to a house rented by the rock band Black ‘N’ Blue. Adam quickly became friends with their guitarist, Tommy Thayer, who suggested to Adam that he should just do his own project and call it Adam Bomb. (In 2003, Tommy took over the lead guitarist slot in Kiss.)

1983:
- Adam recorded three songs with Rick Keefer and a drum machine. Upon returning to Los Angeles, Adam got a contract to shoot the video for “Shape of the World.”
- TKO reformed (briefly) in San Francisco and played the Troubadour in Hollywood.
- Adam filled in for two Steeler gigs, replacing guitarist Yngwie Malsteem.
- Adam attended a Michael Schenker concert at a club in San Francisco where they debuted the video (Shape of the World). In the audience was Aerosmith manager, David Krebs.
1984:
- Adam flew over to Hawaii to record more songs with Rick Keefer for a full album. The producer got drummer Chuck Ruff (Montrose) and bassist Cliff Williams (AC/DC) to play on the album.
- Adam signed a long term management deal with Leber Krebs and moved to New York. He put together a band with former Billy Idol drummer Gregg Gerson, Billy Idol/Riot bassist Phil Feit, and Aerosmith guitarist Jimmy Crespo.
- Adam’s first album, “Fatal Attraction”, came out in Japan on JVC Victor. Geffen records signed Adam Bomb to a record deal, and then the band moved to Los Angeles.

1985:
- The Adam Bomb band rehearsed in LA and continued to play there, opening for bands like Armored Saint and Metallica as they toured the southwest.

1986:
- The band shot a video for “I Want My Heavy Metal” in Louisiana with ex-Rick Derringer guitarist, turned video director, Danny Johnston. Adam, with Phil Feit and a new drummer – Sandy Slavin, then traveled to England to play a show at the London Marquee.
- Adam spoke with record producer Martin Rushnet who recommended his assistants Phillip Tennant and Neil O’Connor to produce the Adam Bomb record, “Pure S.E.X.”
-The band set off to England to record in a farmhouse studio north of London. The band spent six weeks in England recording and did another show at the Marquee. The reggae band Steel Pulse, also recording in the studio, had Adam play a guitar solo on a track called “Hijacking.”
- Adam returned to New York and did a show at L’Amours, Cat Club, Limelight, Danceteria, and other NYC clubs.

1987:
- Recruited Billy Squier drummer, Bobby Chouinard, and they played gigs around the city and a few one-off gigs in Toronto. They toured in France.
- Adam recorded in Vancouver, Canada, and played two guitar solos on the Black ‘N’ Blue album, “Without Love”, produced by Bruce Fairburn with recording engineer Bob Rock. (”Without Love” was the CD that inspired Jon Bon Jovi to work with Fairburn and Rock on their career-making record, “Slippery When Wet.”)
- The band toured Europe and supported The Lords Of The New Church in America. Adam was hired to do a photo shoot for English rock photographer, Mick Rock, for a photo article in Playgirl Magazine titled, “The Bad Boys Of Rock.”

1988:
- On New Year’s Eve in New York City, Adam joined Chuck Berry on-stage, playing Chuck Berry’s guitar while Berry sang “Little Queenie.” Guitar World magazine did an article about the show.
- Adam Bomb went onto a three week tour of England, borrowing the rhythm section from an English band called The Last Of The Teenage Idols. After the tour, Adam stayed in London for two months.
- Adam spent ten weeks in Stockholm. He was playing every night at a bar called Pipeline, with New York Dolls guitarist Johnny Thunders. Returning to New York, again, Adam did five shows at clubs in Manhattan. The band recorded at the show at the Ritz for a live album and video. Adam opened for Thunders at the Limelight and did a club tour of Texas using local musicians. He returned to Paris and did more concerts across France.

1989:
- Adam started writing songs and making demos with Billy Idol guitarist, Steve Stevens. Adam went on tour in France, Belgium, Denmark, and Holland. Adam made a video for Pure S.E.X. with director Hart Perry.

1990:
- Adam recorded with producer Jack Douglas at the Record Plant, where Jack had recorded Aerosmith and John Lennon. Along with drummer Bobby Chouinard and guitarist Steve Stevens, they rearranged the demos and started what would become the album “New York Times.”
- Jack wanted to make a very broad production, so he brought in Nicky Hopkins and Mick Taylor (who played with The Rolling Stones), and Flo & Eddie, who were backup singers for Marc Bolan. Adam had Steve Stevens play on six of the tracks. Bobby brought in Billy Squier keyboardist Alan St. Jon and bassist T.M. Stevens. Twelve songs were completed but they were yet to be mixed.
- Adam’s second album, Pure S.E.X., was finally released by Musidisc in France and FM Revolver (BMG) in the U.K. and Europe. Adam went to London, Munich, and Paris in March for a three week tour. When he turned to New York, Jack Douglas had only mixed three songs, and then the studio went bankrupt and all the studio equipment had been repossessed by their creditors. The New York Times master tapes were also missing.
- Adam wound up writing and recording six new songs with producer Rick Keefer before supporting The Dogs D’Amour on their European tour.

1991:
- In April, Adam went back to Hawaii to record another seven songs. Adam got a call about the death of his friend, Johnny Thunders. Adam decided to rewrite and record a song he’d demoed years earlier, called “Johnny In The Sky.”
- Dogs D’Amour bassist Steve James contacted Adam about doing a summer U.K. tour. The two had written songs together and decided to form a band called The Last Bandits. It was rock with loud acoustic guitars. The band did around 40 dates across the U.K., ending with a sold-out date at the London Marquee.

1992:
- Adam recorded three more songs with Steve James in Hawaii. Adam escaped death in a car accident midway through the recording session. Driving alone, the rented Mustang convertible flipped into a ravine and, fortunately, Adam walked away without a scratch. Manager David Krebs has started a Sony distributed record label called Rockworld.
- Adam was briefly being courted by Little Steven (Steve Van Zandt) to be just a lead singer in a band that Little Steven wanted to form. Little Steven got a hold of a cassette copy of Adam’s lost New York Times recording sessions. He thought Adam had the “ultimate rock ‘n’ roll voice.” Adam was given a demo tape of songs Steven had written. Adam sang on Van Zandt’s demos, although the music was a bit too ‘New Jersey’ for Adam to get into.
- Adam did photo shoots with Mick Rock again, for Grave New World, and made videos for “Magenta Sky” and the Thunders tribute song, “Johnny In The Sky.” To add to the video, Adam got home movies of Johnny Thunders, from Johnny’s sister, and footage from a filmmaker who did a movie with Johnny in France.
1993:
- Grave New World was released on Sony Rockworld in America.
- Adam spent a lot of time hanging out in New York clubs and a place called the Loft. The Loft was an empty ground floor, one-room warehouse in Soho, turned rehearsal studio that was home to about five people. Everyone would go there at 4:00 AM and there would be these jam sessions that lasted until noon the next day.
- One night, Adam was playing at The Loft when Axl Rose walked in about half-way through a song and just started to sing with Adam. Axl told Adam that he and Izzy saw him play at the TKO gig in ‘83 at the Troubadour in Hollywood. Axl recalled the way Adam moved on stage and remembered that they were going to ask Adam to join the band they were starting but thought Adam would have turned them down, so they never asked.
- Another night, on the ninth anniversary of John Bonham’s death, Adam got a call to come down to The Loft and play Led Zeppelin songs with John Bonham’s son, Jason Bonham.

1994:
- Adam returned to Europe for more dates every three to four months. At Joey Ramone’s birthday bash at the Ritz in New York, Adam played guitar for a short set with Lemmy (Motorhead). Adam also did a two-show Hendrix tribute in New York as a power trio, with Jimi Hendrix bass player Noel Redding, and drummer Bobby Choiunard. Adam Bomb supported Yngwie Malsteem at the Ritz but played very little in New York after that.

1995:
- Adam traveled to England and took a three day boat ride and arrived in Bilboa, Spain, with only a little more than $100 in his pocket, his guitars, a Marshall head, and a press kit. Adam caught a bus from Bilboa to Madrid and wound up jamming and getting a gig that night. Madrid was an inspiration for Adam. He kept booking more shows and returned to Spain, spending over a year there, playing over one-hundred concerts. His time there was such a whirlwind that Adam wrote a 300 page book about his experiences there, titled “The Rain In Spain Falls Mainly On My Brain.” He has never tried to get it published.
- He returned to Hawaii for a week to record two songs he had written over in Spain, “Saluda A Lola” and “Kick It Out.” He pressed up copies of the two songs for radio stations and returned to Spain to start three months of gigs. Saluda A Lola was getting radio play in Spain even though it wasn’t available for sale.

1996:
- The New York Times tapes had been recovered, for a $5,000 ransom. Adam collected the tapes from a desolate warehouse in Brooklyn (in a scene that could’ve been in Goodfellas!). Adam, Jack Douglas, and engineer Jay Messina went into Manhattan Center Studios and mixed six songs.
- Adam contacted drummer Bobby Chouinard, who just finished a stint with Peter Wolf and was now looking for a project. They recruited former Billy Squier/Billy Idol bassist Kenny Aaronson, and former Billy Squier keyboardist Alan St. Jon. The band and Jack Douglas went into a private warehouse recording studio that was called “It Is What It Is” (IIWII) and recorded five new songs.

1997:
- The band rehearsed and played a flew club dates in New York while finishing and mixing. Krebs had a European deal and tour in the planning stages.
- When the New York Times album was finished, Adam spoke with Bobby Chouinard on the phone for an hour the night before the mastering. Both of them couldn’t believe after all these years the album was finally going to be finished. Bobby was ecstatic over how all the tracks came out in recording, and couldn’t wait to hear the finished versions. They recalled some of the crazy times in the studio and Bobby wanted Adam to come over the day after it was finished to play it for him.
- Adam went into Masterdisk and eight hours later walked away with a CD of an album he started working on so many years. The morning after mastering, Adam was startled by a phone call of devastating news. Bobby Chouinard had died.

1998:
- After Bobby had died, Adam got together with Alan St. Jon and Kenny Aaronson a few times after the funeral but they didn’t want to continue the project without Bobby. Adam survived by doing odd jobs for his manager. After wrecking Krebs’ Mercedes as an innocent bystander in a police chase carjacking incident, Adam was on thin ice.
- Adam then got an offer to open for Chumbawumba in Seattle at the Paramount Theater and at Forest Hills Stadium in Queens, which once hosted Jimi Hendrix on the Monkees tour. Adam opened for a Japanese metal band called The Alfee. 10,000 Japanese rock fans flew in for the event.

1999:
- Adam decided to go with a new direction by calling his new band Get Animal. He recorded a full, twelve-song album in two days in the studio in New York and sent the tapes off to Rick Keefer to be mixed. Adam earned the nickname Pink Gibson (after his bloody pink Les Paul guitar). Get Animal toured, supporting WASP, for thirty dates across Europe including a few big festivals.
- Get Animal went back to Spain at the end of the year to open for Metal Church. The most eventful thing that happened on that tour was that a dog on the street attacked Adam’s pink guitar, dragged it out of the equipment van, and broke it into two pieces.
- At the year’s end, the band got together in New York to record Get Animal 2. It was done in three days instead of two, and this time Adam brought the tapes to Hawaii. This album had a bigger guitar sound and the songs had evolved from the debut Get Animal album.

2000:
- Adam’s drinking buddy, Verne Troyer – better known as “Mini Me” of Austin Powers: The Spy Who Shagged Me – agreed to pose for the cover on Get Animal 2. The band toured Spain, supporting Ronnie James Dio. After a Barcelona show, Adam went to a free outdoor concert. with Hanoi Rocks singer, Michael Monroe, was the headliner. Michael was surprised to see Adam in Spain and invited him back to the hotel. A Spanish journalist had Adam interview Michael for a magazine. During the interview, Adam and Michael talked about their old friends in New York.

A Finnish promoter offered Adam a few dates in Finland that following week. Adam did a show in Turku, Finland and met up with Michael Monroe. Michael played harmonica with Adam onstage. A few days later, Adam did an acoustic set opening for Michael Monroe at a small club in the middle of nowhere. After the show, Adam and Michael went to a small pub that opened just for them, and started talking about music. The two started playing guitars and wrote a song called “If This Is Love, I Want My Money Back.”

They continued writing and making demos, all while sitting in at each other’s gigs. Adam and Michael stayed in hotels all over Finland, writing and recording during every spare moment. At a rock festival thirty miles from the Russian border, Michael told Adam that there was going to be some concerts in Germany supporting Iggy Pop. Back in New York, David Krebs got very excited at the prospect of Adam and Michael working together. He started talking with Jude Wilder, who was Michael’s wife and manager. Jude wanted Krebs to help out, as she was becoming less interested in management.

Led Zeppelin bassist John Paul Jones attended a one-off Get Animal show at the London Borderline and was so impressed with Adam’s guitar playing that he invited Adam to record in his studio the following weekend.

Adam traveled to Germany to do press for Get Animal and meet Michael in Berlin. Adam got on stage for the last song, a version of the MC5 song “Looking At You.” Adam thought it was very rock ‘n’ roll to travel halfway across the globe to play one song with just two chords and burn his guitar.

Get Animal supported Michael Monroe on a Spanish tour, and after the tour it was worked out for Adam to join Michael’s band for an American tour. Adam did his first official gig as Michael’s guitarist in a club called “Bluestock” in Turku. Adam and Michael continued to write songs and make demos. There was a lot of pressure in the air between David Krebs and Jude Wilder and the American tour was postponed for a second time. Adam returned to New York and Krebs sent him back to Finland to play a New Year’s Eve show. The tour had been rescheduled to February.

2001:
- Adam performed as Michael Monroe’s guitarist, New Year’s Eve at a show in Turku. Adam returned to New York to find that David Krebs had gotten into a disagreement with Jude Wilder and dropped the project. Michael Monroe canceled his February US tour for the third and final time. Adam went to Helsinki for a final show as Tavastia. With a little help from some friends, Adam raised enough money to record some of the music he had worked on with Michael. With Joan Jett/Billy Idol drummer Tommy Price, they recorded basic tracks for thirteen songs in New York, then went to the west coast for a few quick club shows and off to Hawaii for four weeks to finish the overdubs and mix.

Adam headlined a rock festival in Hawaii. After Adam finished his recording, he got into a bitter feud with Michael. Adam didn’t feel right about releasing his own version of the album he wanted to make with Michael. Things came to head when tragedy struck. Michael’s wife was found dead. All of a sudden, the canceled tours, the songs they wrote, and the disagreements all seemed very unimportant. Adam promised Michael that he would not release any of the material they wrote together until Michael’s album was released.

Michael started working with his old Hanoi Rocks guitarist, Andy McCoy. Adam worked on getting Fatal Attraction re-released through an independent metal label. Adam also set up New York Times to be released.

In September, Adam returned to Spain briefly to visit friends, and went to Finland to see Michael. Adam flew to Helsinki on September 11th. After arriving in Turku, a two hour bus-ride and checking into a hotel, Adam called Michael. He told Adam about the terrorist attacks in New York. After Adam turned on the television and called his family, he went to visit Michael. While the rest of the world started war, they made peace.

The John Paul Jones Thunderthief CD was released in Japan in November. John Paul Jones had built a song called “Angry Angry” around Adam’s guitar solo. Along with Robert Fripp, Adam Bomb is the only other special guest. Adam considered it quite an honor to play guitar on a member of Led Zeppelin’s solo album.

2002:
- The Thunderthief CD was released worldwide in February. Adam performed as Michael’s guitarist in Helsinki for two shows. They also recorded the album “Whatcha Want” and four other songs that wound up on the Hanoi Rocks album.
- In August, Adam recorded Third World Roar, a concept album about 9/11, terrorism, and the climate in which we live in. The album was completed on September 11, 2002.

2003:
- After forming a new live band with a New York drummer & a bass player that was the brother-in-law of the guy that wrote “I Love Rock And Roll” Adam Bomb toured England in April with Swedish Rock Band The Diamond Dogs, and also supported The Damned after a playing 5 warm up shows in New York City clubs.

- The band was set to return to the UK for September, this time for 30 shows. Two weeks prior to the tour the drummer quit to deal with personal issues & the bass player decided he didn’t love rock ‘n roll and decided to quit music altogether.

- Adam contacted two friends from Spain, drummer Kiki Tornado, & bassist Gorka Alegre who quickly agreed to fill in and tour the UK. Adam Bomb played 30 shows in 30 days on The September Smash And Burn Spectacular Tour.

2004:
- After building a reputation in England for over the top live shows, Adam followed up in the UK by booking a 54 show tour which took the act to new areas including Scotland. The Third World Roar 2004 UK tour ran from January to March. Adam appeared on the HTV Wales Television show “The Edge” opening the show in studio with a firework guitar solo. At three of the shows, Adam invited special guest British Wheel Clamp Vigilante “Angle Grinder Man” to join him on stage during “I Want My Heavy Metal” and attack Adam’s Pink Gibson with an angle grinder. Pink survived.

- The band visited the Marshall factory in Milton Keynes where Adam met Jim Marshall. According to Adam it was like meeting the Pope. The Marshall people also repaired Adam’s 2 Marshall 50 watt heads that he’s used exclusively since he started playing guitar.

- Immediately following the UK tour, Adam flew to Spain to play another 10 shows. During the third day in Spain, a terrorist attack occurred. After the shows in the north, Adam chose to cancel 2 shows in Madrid and return to New York.

- In September 2004, Adam Bomb started the Get Animal 2004 Tour. The tour was 35 consecutive shows in the UK, with 4 headline shows in Spain, then another 20 shows in the UK, with short Italian tour November 11th, then another 5 shows in Spain, and a 20 date solo acoustic tour across the UK through December.

- In Italy, Adam played an acoustic show at Cafe Blue in Venice, Italy, a rare feat for any artist to get a show in the center of Venice due to the canals. Then Adam did 5 electric shows.

2005:
- Together with the Italian rhythm section, Adam Bomb did a 12 date UK tour before heading out on UK/European tour supporting Hanoi Rocks.The band tore through Europe & was unstoppable. Even the van breaking down on the Autobahn in Germany with 226 kilometers and three hours until showtime, didn’t stop them from missing a show. The band rocked Holland, Belgium, France, Spain, Italy, Switzerland & Germany, gaining a continent of new fans. – Adam Bomb recorded a few new tracks for a studio record with Rick Keefer in Hawaii during March & April. A live album called Welcome To My Disaster that was recorded at Nottingham Rock City was available on tour in limited edition. – Adam Bomb returned to England in May/June 2005 for another UK blitz. In true Spinal Tap fashion, The Welcome To My Disaster Tour had lived up to it’s name for the most part. During summer there were a few USA club dates, & Adam Bomb rocked UK and Europe non-stop from October 2005 on the Shit Hot Winter UK Tour continuing on playing live throughout 2006.

2006:
- After a January show near Zurich, Switzerland, Adam was invited by a promoter to open for Guns ‘n Roses drummer Steven Adler in Germany. After the show Adam started talking with Steven Adler which ultimately led to Steven firing his band & road manager and hiring Adam to road manager & be the support act for his tour of the UK, Italy, and Spain. The bass player hired for Steven’s Italian shows was a young bass player named Paul Del Bello. – During the Adler UK tour, Adam struggled to keep his own band together while, organizing Steven’s musicians & travel arrangements. It eventually became too much to take on & Adam left the tour after the final UK show, and went back to his own UK tour which ended in March. – To fulfill a previously booked European Tour, Adam was offered the services of some Italian musicians to perform on small tour of Europe and the support act in Italy was fronted by Paul Del Bello. Shortly thereafter Paul joined up with Adam Bomb as a permanent band member.

2007/2008/2009:
- The Dangerous When Lit Tour turned to be 102 shows in just as many days. Adam Bomb performed over 200 concerts in 2007, over 250 in 2008, has performed at festivals in Europe opening for Twisted Sister & Hanoi Rocks and has shot 2 videos, one for Rock Like Fuck in Glasgow, and Je T’aime Bebe in Paris. – Adam Bomb continues to tour breaking new ground in eastern European countries and music venues all over Europe. Adam Bomb is the hardest working guitarist in rock today and he’ll continue on into the next decade with a show that keeps rocking harder than ever.

Albums 

  • Fatal Attraction (1984)
  • Pure S.E.X. (1989)
  • Grave new world (1993)
  • Get Animal 1 (1999)
  • GET Animal 2 (2000)
  • New York Times (2001)
  • Thrid world roar (2003)
  • Acoustica (2004)
  • Rock like fuck (2005)



TESTAMENT


Chuck Billy – vocals
Eric Peterson – guitars
Alex Skolnick – guitars
Greg Christian – bass
Paul Bostaph - drums

Prophecy is a territory explored only by brave men and warriors. The two are not necessarily mutual but the differences between them are certainly marginal. And truly, the best prophecies come from those who aren’t necessarily seeking to be prophetic, but who simply step forward into those dark, uncomfortable places because their need for honest expression is total, no pre-determination, no intent, just pure, raw gut delivery of truths as seen.

Testament have found themselves in the prophecy business before during their 25 year career, and with “The Formation Of Damnation” they have delivered their sharpest, leanest, heaviest and most prophetic set of songs for two decades. The quintessential modern heavy metal band, the undisputedly enormous influence over a whole nu generation of aural aggressors. With "The Formation Of Damnation" Testament have deliciously served up 'old school' without the old, a crushingly heavy album without the weight of oppression, all crisp and lively like a ball-pin hammer-wielding maniac intent on bashing your brains to a pulp. It crackles with the type of vibrant energy that comes from an umbilically connected creative core writing together for the first time in over ten years, their reserves of residual anger, aggro and raw visceral riffery greater than ever. Recorded at Driftwood Studios in Oakland, CA (except for the drums which were done at Fantasy Studios in Berkeley) and mixed at Backstage Studios in Derbyshire, UK, “The Formation Of Damnation” is a worthy sibling of previously lauded Test-efforts such as “The Gathering” whilst behaving very much like the older, wiser brother of 1988’s “The New Order.”

“We’re talking about things we’ve lived through,” says Eric Peterson, “we’re living through the politics, we’re living through the bullshit, we’ve lived through bad relationships and we’ve lived through tough times. It’s not even that we’re necessarily political, we’re just everyday people who have always been thinking about these things. Out of all our records “The Formation Of Damnation” could be “The New Order’s” big brother.”

“The New Order” had also been inspired by George Orwell’s ‘1984’,” continues Alex Skolnick, “that whole vision of complete government control and totalitarianism taking over the US, as well as disasters both man-made an natural. Here it is years later and we have the Patriot Act, Hurricane Katrina and 9/11. So when you compare the two albums, it’s kinda spooky. And this album is no going to get filed under ‘easy listening’, that’s for sure.”

“It’s also absolutely about being older and wiser,” confirms Chuck Billy, “And now we also have children, their world is being affected, and everyday life generally throws up some heavy stuff, both national and personal, so all these songs are very much of our time and experiences. For example, over the last couple of years Eric and I both lost our fathers, so “The After Life” is about when we might next see them. Then there’s “The Evil Has Landed” which is about the twin towers, and at first I didn’t know if I wanted to sing about that, but once I performed it became clear that deep down I had to, and ‘Killing Season’ is one for all the soldiers we get letters and e-mails from during this war, it’s for those troops who get fired up by heavy metal before they go into combat and it’s my little contribution to the cause. And with all the songs I wanted us to make the statement that we’re stronger, more powerful and more confident than ever before. We’ve got the game!” “I think it’s the best record I’ve ever had anything to do with,” chuckles Greg Christian, “and not to sound conceited but it’s also really the best heavy metal record I’ve heard in a long time.”

Reaching this lushest of creative fields has been quite a journey for Testament, the sort that tests, stretches and ultimately breaks most bands. Formed in the Bay Area of Northern California in 1983 under the moniker of Legacy (the change to Testament came when Billy arrived to take over from Steve Souza on vocals and Derrick Ramirez was replaced by Skolnick), they grew up at the same time as Metallica, Slayer, Anthrax and Megadeth, being one of the five bands forming the core of what would become the world famous thrash metal scene. But from the beginning Testament trod a unique path, making sure that their extraordinary musicianship, intuitive feel for harmonies amidst the savagery established itself as a stand alone sound.

“I was in the band Forbidden back then,” says Paul Bostaph, “and I remember that us and other bands at the time might stumble across a riff, think about it and scrap it simply because it was too close to the Testament sound. They really did have their own style and their own dimension, which gave them an edge from the very beginning and influenced so many bands on the scene.”

1987’s debut release “The Legacy” threw down a marker, and by the time Testament were about to release 1988’s “The New Order” their legend was already hitting enormous popularity. However, their extreme talent got muddied and compromised by the weight of expectation, and while albums like -1989’s “Practice What You Preach" and 1990’s “Souls Of Black” continued to open the same creative doors for a slew of bands which Testament have always done, their level of recognition was perhaps not commesurate with their influence over an entire genre. Talent+personalities can equal problems, and thus it was that after 1992’s “The Ritual”, Clemente left and Skolnick decided it was high-time to essentially find himself and reclaim a few of the teenage years he lost.

“I was in high school, 11th grade, when I joined this band,” laughs Skolnick, “so I really needed to go away and grow as a person, as a musician and get the necessary confidence to enjoy this and gather the strength to make things happen and fight for changes. When I left Testament I still felt like the shy, annoying brother in the room; when I came back, I felt like a respected, professional musician.”

And so it was that for many years, the core creators behind Testament’s music remained separate. Friendships were maintained and good times still had, but musically, matters remained separate as Skolnick explored jazzier rock climbs, Christian engaged in his own projects whilst Billy and Peterson kept Testament alive with a series of different musicians coming in and out. Bostaph had his first short stint with the band in 1992 (in the midst of joining Slayer), whilst White Zombie and Anthrax drummer John Tempesta came in with death metal guitarist James Murphy to play on 1994’s “Low” album, perhaps Testament’s most progressive in terms of material range.

Peterson and Billy continued to fly the Testament flag, releasing the decidedly deathier tones of “Demonic” in 1997, whilst 1999 saw Murphy again on guitar with Slayer’s Dave Lombardo on drums for “The Gathering.” Arguably the album which led Testament back onto their path after a little radical experimentation in the recent past, “The Gathering” became a meeting point for dozens of hungry young metal acts looking for a new metal God. But Murphy was diagnosed with a brain tumor from which he did eventually recover, and in 2001, Billy was diagnosed with a rare form of cancer. It was to prove a life-affirming, as well as life-changing, event.

“I’m a big believer that things happen for a reason,” says Billy, “we never split on bad terms, we always kept in good contact, we saw them on the east coast, we always supported Alex when he came through town, and we never discussed getting back together, we’d just hang out. But when I got sick and there was Thrash Of The Titans concert, that was the first time a reunion of any sort happened. It broke the ice, Greg (Christian) put some stuff behind him with Eric and I to get up there, I performed a song with everyone and that was the start of it all coming together again.”

From that came the deeper realization that with a fair few years between them (not to mention oceans under bridges) it was time to jump to the next level and simply get creative with each other again.

No expectations.

No grandiose plans.

Just pure powerful playing, which is why 2005’s 10 date European reunion tour (featuring all the original members) ended up spurring studio work.

“We didn’t ever plan this,” affirms Skolnick, “the reunion show in 2002 at the Dynamo was the catalyst, we never made any plans, we just enjoyed that show and then ended up doing a few more, which proved to us that now we’re older and more mature we can all enjoy being in this band. And once we’d done some extra shows in 2005, once we’d seen the reactions, once we’d seen a new audience mixing with the old, we just took things to the next logical progression.”

It is the journey to “The Formation Of Damnation” and the affirmation of the quintet’s chemistry which is one of the album’s strongest elements.

“Sometimes you can have a lot of ideas but keep on clashing the people you work with,” says Peterson, “and that’s what’s happened to us in the past. But with this album, we really do just appreciate what we have.”

“There’s been such a growth in our maturity and comfort with each other,” furthers Billy. “Eric’s developed into such a great rhythm player and Alex really acknowledged that as well as his creativity. Those two really gelled, and Alex also had a lot of input with arrangements, he really did fine-tune a lot of the songs.

“In some sense I took a step back from the writing this time because through it all, whatever differences we may have had, Chuck and Eric have kept Testament going,” explains Skolnick, “I knew they had a way of working together, so a lot of my work was assisting with their writing process. In some ways it was like a production role, and I’d never say I was a producer here because the album was in it’s early stages, and for the most part I really enjoyed the role.”

“It felt quite natural, especially as I know Eric’s writing so well,” adds Christian. “I know he had this vision in is head for the songs so I just did my best to help pull them out, and because we understand what each other are saying we can work really quickly. The chemistry between Eric, Alex, Chuck and myself is amazing, and it’s amazing how well Paul Bostaph has fitted in, really, on every level it’s been such a positive experience.”

“This is like family,” says Bostaph. “I’ve known all these guys for over 20 years, we’ve played together, bands I’ve been in have toured with them and I am a huge Testament fan, so joining this time was a huge no-brainer. And again, as Greg said, for me it was a case of giving myself to what this Testament album needed, and that was my only focus, making sure that the band got exactly what it needed from it’s drummer.”

In closing, take a moment to consider the following…

In 1988, Testament spoke of a new order and here, in 2008, Testament speak of the formation of damnation.

“It’s of our time right now,” concludes Peterson, “the world we live in is rife with aggravation, politics is forever more about money rather than doing what’s right, we all keep taking from mother earth… human beings are basically done! We’re setting ourselves up big-time for damnation, and that’s what these songs talk about, from love to politics to holy wars, it’s all there, it's all written about.”

You probably don’t want to hazard a guess as to what Testament, the true societal prophets of rage, will be speaking of in 2028…

Sabtu, 11 Desember 2010

Kreator History

Kreator formed as Tyrant in 1982 in Essen, Germany. The original lineup featured Vocalist/guitarist Mille Petrozza, drummer Jurgen 'Ventor' Reil, and bassist Rob Fioretti. They soon changed their name to Tormentor and released two demos. They signed to Noise Records in 1985 and recorded their debut album, Endless Pain, in just 10 days. The band hired the late Sodom guitarist Michael Wulf for the albums tour.


The band's next album, 1986's Pleasure to Kill is widely considered a thrash classic. Arguably one of the heaviest, fastest albums in metal, while showing the band growing in talent and technical ability. The song "Flag of Hate" became an early hit, and the band became one of the most promising up-and-coming European metal acts.

In 1987 Kreator released Terrible Certainty, which is often considered to be Kreator's best album. Featuring a new guitarist Jörg Trzebiatowski, the arrangements on the album were more complex and the tempos more varied. The album featured another hit "Behind The Mirror", and the band's popularity continued to grow. They managed to find enough time and money to record an EP Out of the Dark ... Into the Light.

In 1988 Kreator signed with major label Epic Records. Their debut with Epic, 1989's Extreme Aggression, became a metal hit. Continuing the Terrible Certainty formula while showing the band still progressing musically and with better production by Randy Burns, the album featured the band's first major singles and music videos, the title track and "Betrayer", becoming major hits on MTVs Headbangers Ball. They toured North America with Suicidal Tendencies, which greatly expanded their popularity outside of Europe.

In 1990, with new guitarist Frank Gosdzik (also formely of Sodom), the band released Coma of Souls. This album was not quite as praised as the bands previous few albums (many felt the album was "rushed" and repetitive), but still managed to do quite well, with "People of the Lie" becoming a hit. However, things changed in the 90's. With many other thrash bands such as Metallica, Megadeth, Anthrax, and others changing their sound for a more commercial approach, Kreator began experimenting with death metal and industrial metal around this time.

The result was 1992s Renewal, which featured heavy death metal and industrial influences. While reaching a newer, more commercial audience, the band upset many longtime fans, accusing them of "selling out". The band, once known for being an excellent live act, had disappointing shows and tours for this album due to the industrial influences.

The band began to fall apart around this time, Fioretti left the band after the recording of the album and was replaced by Andreas Herz. In 1994 Reil left as well, leaving Petrozza the sole original bandmember. Reil was replaced by Joe Cangelosi. Herz left in 1995 and was replaced by Christian Giesler. To make matters worse, their contract with Epic was dropped. Now on GUN Records The new lineup put out the album Cause for Conflict that year. The sound on this album had influences from Pantera and Machine Head, a slight return to a harsher sound than on the previous album.

Gosdzik and Cangelosi left in 1996 and were replaced by Tommy Vetterli and, surprisingly, Jurgen Reil. The band continued to experiment with their sound, releasing Outcast and Endorama, both of which experimented with goth and ambient influences. It also retained the groove metal influences.

However, in 2001, with new guitarist Sami Yli-Sirniö, the band released their "comeback" album Violent Revolution, which saw the band returning to their classic thrash style. It was praised by fans and critics alike. The tour was extremely successful and introduced Kreator to a younger generation of metal fans. A live album Live Kreation and live DVD Live Kreation: Revisioned Glory were released in 2003, and a new studio album Enemy of God was released in 2005.

Ozzy Osbourne's History

Ozzy Osbourne is best known for his two amazing bands Black Sabbath (the founding band of metal) and Ozzy Osbourne (the band). It all started in 1968 when Black Sabbath was formed between guitarist Tony Iommi, bassit Geezer Butler, drummer Bill Ward, and vocalist Ozzy Osbourne. They released their first album Black Sabbath in 1970, it was a big hit, but also very different from what normal music was at the time and thats what layed the groundwork for future metal. Four months later they released their second album Paranoid, which was another huge hit. In 1971 Masters of Reality was released, that was also another big hit. Their next two albums were also good, but not huge hits. Their next big hit was Sabotage which was released in 1975. The next two albums were not big hits at all, and follwing the release of 1978's Never Say Die Ozzy was fired from the band due to intense drinking and drug usage in 1979. Black Sabbath released many other albums after Ozzy, but none were as recognizable or successful. The next time the original four members were together was in 1997, they released a live Reunion album in 1998 with two new studio tracks on it. The last time all four were together was in 1999 during on tour for their live Reunion album. If they all got back together and started new and stopped the fued between them, who knows what could happen, but for now, we can only hope for the best. When Ozzy was fired from Sabbath in 1979, he started his solo career. He went through a huge line up of band mates during his solo career, but his most recognizable and noticed members were guitarists Randy Rhodes, Jake E. Lee and Zakk Wylde. With Randy Rhodes in 1980, Blizzard of Ozz was released and in 1981, Diary of a Madman was released. These two albums were huge hits, and were very successful. Randy Rhodes would have continued to write and preform with Ozzy, but he was sadly and tragically killed in a plane crash on March 19, 1982. After Randy passed away, Ozzy hired Jake E. Lee, and in 1983 Bark at the Moon was released. The only other album with Jake that they wrote was in 1986 titled The Ultimate Sin. These two albums were also pretty big hits. After The Ultimate Sin was released, Jake E. Lee left the band and was later replaced by Zakk Wylde. With Zakk, he released five more stuio albums, two of which were very successful, they were No More Tears (1991) and Black Rain (2007). Zakk then left the band to work on his side project and now full time band Black Label Society. He and Ozzy are still close, but Ozzy has found a new guitarist named Gus G. With Gus they are releasing a new album in 2010 titled Scream which should be out around June 22.

James Hetfield's(METALLICA) History

James Hetfield is best known for his fast paced rhythm guitar riffs, his varied vocal range and his great live performances. He is in one of the worlds most recognized bands, Metallica. It all started when Lars Ulrich, the drummer, wanted to start a band and got James involved. They later recruited Dave Mustaine, lead guitar, and Ron McGovney, bass guitar. Ron soon quit the band and Dave was kicked out due to his alcoholic tendencies. James and Lars then got former Exodus lead guitarist, Kirk Hammett, and bassist Cliff Burton to join the band. In 1983 their first album Kill 'Em All came out. From there, their success went way up with the writing of their other most famous albums, Ride the Lightning (1984), Master of Puppets (1986) (which during on tour for Master of Puppets bassit Cliff Burton was tragically killed in a bus accident and replaced with Jason Newsted). Then with Jason they wrote And Justice For All (1988), and possibly their most famous album of all time The Black Album also known just as Metallica (1991). But sadly from there on they didnt have too much success with their next four albums Load (1996), ReLoad (1997), S&M (1999) and St. Anger (2003). During the making of St. Anger Jason Newsted left the band to work on side projects and was replaced with Rob Trujillo. With Rob in 2008, they released "the best since the Black Album" Death Magnetic. They are still touring and rocking out just as good as ever with hopes of a few more albums in the near future.

Tom Araya (SLAYER) History

Tom Araya is the frontman for the heavy thrash metal band Slayer. He is best known for his very ranged vocals, high pitched screams, and stage performance. Slayer was formed in 1981 by guitarists Kerry King and Jeff Hanneman, they later recruited bassist/vocalist Tom Araya and Drummer Dave Lombardo. Their first album Show No Mercy (1983) wasn't a huge hit but it did generate a popular underground crowd which got them to be more known. They then released an EP called Haunting the Chapel (1984) which layed the groundwork for the future direction of the band. The next year in 1985, they had their second full release Hell Awaits. From there the bands popularity went up. There next three albums Reign in Blood (1986), South of Heaven (1988), and Seasons in the Abyss (1990) were a huge success. But then sadly drummer Dave Lombardo left the band due to conflicts and was replaced by Paul Bostaph. They released four more albums with Bostaph, then in 2006 Lombardo came back and Christ Illusion was released. They have just recently released World Painted Blood (2009) and are continuing to rock out and hopefully they keep it all going since rumors have been that they will be slowing down.