Senin, 29 November 2010

MEGADETH

After being kicked out of Metallica, Mustaine formed Megadeth in 1983 with guitarist Greg Handevidt, bassist David Ellefson, and drummer Dijon Carruthers. Carruthers was soon replaced by Lee Rausch and Handevidt left. The now trio Megadeth recorded a demo in 1984 (now found in the bonus tracks of Killing Is My Business... And Business Is Good!). Rausch was replaced by Gar Samuelson after the demo and a few shows. Megadeth signed with Combat Records and added guitarist Chris Poland to the band.

In 1985, the band recorded Killing Is My Business ... And Business Is Good! on a budget of just $8,000 (the band also admits that they spent half that money on drugs). The release included a cover of the Nancy Sinatra song "These Boots are Made for Walking". This later became a legal battle between Mustaine and the writer Lee Hazlewood 10 years later.

On the supporting tour for KIMB...ABIG! in 1985, Poland left the band and was briefly replaced by Mike Albert before returning later in the year.

Peace Sells... But Who's Buying? was recorded first in early 1986 under Combat Records, but due to the low budget, the final mix was not the quality that Megadeth had wanted. So Megadeth signed with Capital Records to remix the record which was released in November 1986.

In 1987, Megadeth began their first world tour as a headliner. After the final show in Hawaii, July 1987, Poland and Samuelson were fired. Mustaine accused Poland of selling band equipment for drug money and Samuelson was unable to perform his duties to the band due to intoxication, even having to be replaced on the tour on some nights. Poland was replaced by Jay Reynolds, then later, Jeff Young. Samuelson was replaced by Chuck Behler.

Recording for the next album began in 1987, this time with a real budget for recording. The original producer, Paul Lani, was replaced because Mustaine was not getting the quality recordings he wanted. So Far, So Good ... So What! was released at the beginning of 1988, with the recordings from producer Michael Wagener. The original mixes can now be heard in the bonus tracks of the 2004 reissue.

Megadeth toured with Dio and Iron Maiden later in 1988. They even ended up on the bill for the 1988 Monsters of Rock festival. There, Behler and Young were both fired. Nick Menza, who Mustaine had already had on crew ready to step in, took Behler's place in 1989. However, no replacement for Young was found and Mustaine played lead for a song on the soundtrack for the film Shocker. Mustaine was arrested under a DWI and entered drug rehab, becoming sober for the first time in ten years.

After emerging from rehab, Mustaine hired Marty Friedman in 1990. With a new guitarist, Megadeth began working on its next album. Rust in Peace was released in September 1990. Megadeth toured on "Clash of the Titans" in Europe, a tour so successful that the following year it was brought to the United States. Megadeth also appeared in the 1991 "Rock in Rio 2" festival in Brazil.

Later in 1991, Megadeth recorded songs for Bill & Ted's Excellent Adventure - Original Motion Picture Soundtrack and the Super Mario Bros soundtrack. They also released Rusted Pieces that same year.

1992 became a crucial year to Megadeth. Early 1992, they began work on the next album. Four months later, Countdown to Extinction was released, featuring a new style of music, a more radio-friendly, less complex sound. It is often compared to Metallica's Metallica released in 1991 with similar shift to more mainstream metal.

In November 1992, Megadeth's second video, Exposure Of A Dream, was released. Following its release, Megadeth started its world tour. The tour was cut short in 1993 because Mustaine began abusing drugs again. He was hospitalized, went back to rehab, and got clean again. He came back to Megadeth and they recorded a song for the Last Action Hero soundtrack. This song, "Angry Again", was nominated for a Grammy in 1994.

Megadeth was nominated for a Grammy award in 1993, but ended up losing to Nine Inch Nails. But because of the lyrical themes of the song "Countdown to Extinction", Megadeth stands as the only metal band to win the Doris Day Music Award.

In June 1993, Metallica had Megadeth as a "special guest" in the Milton Keynes Bowl Festival. Mustaine cheered on stage, saying, "The ten years of bull is over between Metallica and Megadeth!" This later proved to be untrue. The next month, Megadeth played a few dates on the Aerosmith Get a Grip tour. They were fired from the tour after some feuds between the two bands. After this, they recorded "99 Ways to Die" for the The Beavis and Butthead Experience album released November 1993. This song was also nominated for a Grammy in 1995.

Mustaine insisted on recording the next Megadeth album in his home state of Arizona. Unable to find a suitable studio in the area, Megadeth constructed their own studio in a warehouse in Phoenix. The entire album was recorded in studio, a first for Megadeth. In November of 1994, Megadeth released Youthanasia. Following the success of the last album, Youthanasia debuted at #4, going Gold in Canada in just 30 minutes and Platinum in the US faster than any other Megadeth release. The style of tis album pushed Megadeth further towards mainstream music, focusing on vocals and radio-friendly riffs. With a sticker on the album, Megadeth advertised their new website, a new idea at the time. Later that month, Megadeth appeared on Letterman supporting the album and playing "A Tout Le Monde". This song would later receive a video and be banned by MTV.

Megadeth started the tour in November and went on for 11 months, the longest Megadeth tour to date.  This tour included the Monsters of Rock festival. In January 1995, Megadeth recorded a song for the Tales from the Crypt soundtrack and covered Black Sabbath's "Paranoid" for Nativity in Black: A Tribute to Black Sabbath, which was nominated for a Grammy in 1996.

Youthanasia Special Edition was released in Europe containing a second disc called "Hidden Treasures" the songs Megadeth had recorded for soundtracks, tributes, etc over the years. The disc was released as Hidden Treasures EP in the US due to fan demand.

Minggu, 28 November 2010

OVER KILL

Overkill adalah Thrash Metal band Amerika yang dibentuk pada tahun 1980 di New Jersey. Band ini telah aktif sejak tahun 1984, merilis 15 studio album, 2 EP, 2 live album dan sebuah "cover" album.

Band ini juga memiliki maskot terkenal bernama Chaly, sebuah kerangka dengan tengkorak kelelawar-seperti wajah, tulang sayap, dan mata hijau. Telah muncul di sebagian besar sampul album mereka.

Overkill telah mengalami banyak perubahan line-up, dengan penyanyi Bobby "Blitz" Ellsworth dan bassis D.D. Verni tersisa sebagai anggota pendiri. Seiring dengan Anthrax (Dan Spitz, juga seorang pendiri Overkill), band ini adalah salah satu yang paling sukses pantai timur Thrash Metal.


Anggota :
Bobby "Blitz" Ellsworth - Vokal (1980-Sekarang)
Dave Linsk - Gitar (2000-Sekarang)
Derek Tailer - Rhythm (2000-Sekarang)
D.D. Verni - Bass (1980-Sekarang)
Ron Lipnicki - Drums (2005-Sekarang)

Mantan Anggota :
Dan Spitz (Anthrax)- Gitar (1980)
Rat Skates - Drums (1980-1987)
Bobby Gustafson - Gitar (1981-1989)
Sid Falck - Drums (1987-1992)
Rob Cannavino - Gitar (1989 - 1995)
Merritt Gant - Gitar (1989- 1995)
Tim Mallare - Drums (1992-2005)
Joe Comeau - Gitar (1995-2000)
Sebastian Marino - Gitar (1995-2000)

Diskografi :
Feel the Fire (1985)
Taking Over (1987)
Under The Influence (1988)
The Years of Decay (1989)
Horrorscope (1991)
I Hear Black (1993)
W.F.O. (1994)
The Killing Kind (1996)
From the Underground and Below (1997)
Necroshine (1999)
Bloodletting (2000)
Killbox 13 (2003)
ReliXIV (2005)
Immortalis (2007)
Ironbound (2010)

Video / DVD :
Videoscope – 1991
Wrecking Everything – 2002
Live at Wacken Open Air – 2007

Live :
Wrecking Your Neck – 1995
Wrecking Everything – 2002

Demo Releases :
Power In Black – 1983

Exodus Guitarist Discusses Band History

On whether EXODUS' first album, "Bonded by Blood", will be in a car commercial someday:
"Hell, 'Deathamphetamine' from our last album was used in a K&N air filters commercial, so we're halfway there. But the next [album] is as sick and dark as anything done before, and we'll continue doing just that as long as I'm enjoying myself."

On EXODUS going through a new rebirth:

"Look at our last two records. They are amazing slabs of metal, and when you hear the new one, you'll realize that very few bands are able to put out back-to-back to back releases with the fire and intensity of ours. The new album is a genre-defining moment for us and thrash in general, and we as a band feel more inspired and motivated than any time before."

On EXODUS' early live shows:

"Everyone had a good time, even if they were bleeding.

"It's really hard to explain what it was like to people who weren't there. There was a sense of community going on, everybody supported each other and went to each other's shows, when we weren't playing together, that is. It was pretty nuts though. You had [Paul] Baloff and myself tormenting the poseurs; general mayhem was the norm, especially at EXODUS shows. It was pretty much a well-known fact that our shows were the most violent you could find anywhere."

"ANTHRAX played after us at the Kabuki theater and they were heckled — something awful. And this is ANTHRAX, not some glam band. But it felt pretty damn great to know you were creating something new."

On touring Europe and plaing small clubs in the U.S.:

"Let's be real. In the States we have to play smaller clubs out of necessity. Bigger markets mean bigger venues, but as long as we have a sweaty packed house, all's well in the world. Turkey was insane, and we've been to a lot of places over the last year or so that we've never been to, like Bangkok, and those shows were amazing. But we haven't played San Jose in a long time, since the old Cactus Club, I think, so this [upcoming show on August 10] should be nuts."