Death Angel

Among the youngest bands ever to storm the metal genre, Death Angel has come to be known as one of the most influential bands to emerge from the thriving Bay Area Thrash Metal Scene in the early 1980s, an era when one could catch Cliff Burton (Metallica) at the front of the stage at Ruthie’s Inn banging his head to Death Angel’s inventive style, and speedy, complex arrangements.

In 1986, a Death Angel demo produced by Kirk Hammett (Metallica) titled “Kill As One” sparked the interest of Enigma Records. Then, in 1987, Death Angel’s debut, “The Ultra Violence,” was released. Drummer Andy Galeon was just 14 years old at the time. The album was a full-frontal assault on the ears, buzzing with the group’s youthful energy, and “The Ultra Violence” sold 40,000 copies in just four months. Another innovative recording, “Frolic Through the Park,” followed, marking Death Angel’s evolution both lyrically and musically. “Bored,” another track from the band’s second release, highlighted the cutting-edge band’s inventive dynamics, and won a spot on MTV’s “Headbanger’s Ball.”

Geffen Records was impressed enough with Death Angel’s television premier to offer the band a deal, and Death Angel became the first band of their breed to appear on the major label’s roster. At Geffen, the band released what is widely regarded as one of the most original and accomplished thrash metal albums ever recorded, “Act III.” The record pushed the limits of the genre to create something truly unique, a definitive work that is essential to any metal fan’s music collection. Death Angel’s masterful songwriting ability was once again on display nationwide in 1990, as the videos for “Seemingly Endless Time’ and ‘Room With A View’ saw heavy rotation on MTV.

Death Angel’s world tour between 1986 and 1990 included two sold-out tours of Japan. in fact, nearly every date on the Act III World Tour, which included storied venues such as The Warfield Theater in San Francisco, The Ritz in New York, and England’s Hammersmith Odeon, were sold out to capacity, a remarkable achievement for any band, but particularly stunning for such a young group, not to mention one comprised of cousins.

Death Angel’s trajectory to fame was tragically cut short in 1990, when the band’s tour bus crashed in the Arizona desert. Drummer Andy Galeon was critically injured, and would need more than a year to recover. During this downtime, vocalist Mark Osegueda left the band and moved to New York to pursue a life outside of music. The remaining members went on to form The Organization, and released two full-length albums under that name. The “O,” as they came to be known, toured extensively throughout the United States and Europe, including two appearances at Holland’s famed Dynamo Open Air Festival, a support slot on Rob Halford’s “Fight” tour, and as the main support for the Motorhead tour in Europe.

After the “O” disbanded in 1995, the band members went on to pursue other musical projects, including “The Past,” (Rob, Andy, Dennis, Gus), Big Shrimp (Dennis, Andy), Smokestack (Rob, Andy), Silver Circus (Mark), and Swarm (Rob, Andy, Mark). The latter incarnation toured the United States for three months in 2001, supporting Jerry Cantrell (Alice in Chains).

Death Angel resurfaced in 2001 to perform at a cancer benefit for frontman Chuck Billy (Testament) called “Thrash of the Titans.” The response was so great that many offers came quickly in 2002, beginning with a “secret” gig in San Francisco, and sold it out under the pseudo name, “Kill As One.”

The show was a warm up for 2 dates in Holland including the famed Dynamo Open Air Festival and a pre-event show at the Efenaar club in Eindhoven which sold out before the band even arrived in Europe.

The next year saw DA supporting Metallica at the Fillmore in San Francisco as well as supporting Anthrax and Halford in the US. What began as a gathering of positive vibes for a friend turned into a full time mission to continue a journey that began so long ago… In 2004 Death Angel released their long awaited fourth studio disc, “The Art of Dying” on Nuclear Blast. A natural progression from “Act III“, the new album delivered straight Thrash Metal with diverse musicality to rave reviews worldwide. Brutal thrasher “Thrown to the Wolves”, the melodic doom of “The Devil Incarnate” and the speed rock of “Thicker than Blood” proved to fans that they didn’t miss a beat. The disc concludes with the acoustic / rock tune “Word to the Wise”, their overcome all obstacles approach still intact. The band hit the road to support T.A.O.D., embarking on an extensive tour with festival appearances in Germany, Belgium, Italy, Finland, Mexico and Japan. The group found themselves sharing the bill with many of their early influences from UFO to Alice in Chains, The Exploited to Guns n Roses! Currently DA is in the studio writing songs for a new album slated for release in autumn 2007, surfacing only to headline the Pulp Summer Slam Festival in the Philippines and Rock Hard Festival in Germany this summer.

www.deathangel.com

GWAR

GWAR is a satirical thrash metal/punk band formed in 1985-1986 by a group of artists and musicians at Virginia Commonwealth University in Richmond, Virginia. The band is perhaps best known for their elaborate sci-fi/horror film inspired costumes, raunchy lyrics, and graphic stage performances, which can consist of scatology, sadomasochism, necrophilia, paedo-necrophilia, beastio-necrophilia, fire dancing, fake pagan rituals, mock executions/mutilations, and other controversial violent and political themes. GWAR was, for a long time, on the leading edge of shock rock, going as far as appearing on Jerry Springer in character and in full costume during the mid 1990’s.

The origin and meaning of the band’s name has been left intentionally vague by its members, although the most widely accepted explanation (though false and denied by the band members) is that GWAR is an acronym for “God What an Awful Racket!” One rumor states that the name may have come from Alan Moore and Dave Gibbons’ graphic novel Watchmen, in which a poster reads, “Pink Triangle LIVE at the Gay Women Against Rape Benefit Concert.” Other unsubstantiated rumors state that GWAR! is the sound monsters make in old horror movies, or that a fan at a club yelled “You should call your band…” and vomited before he could finish, making a sound close to the word GWAR. A final possibility, and the most viable as of yet, coming from sources close to the band suggests strongly that the name comes from the answer David Brockie gave to Hunter Jackson when asked what the band should be called. David Brockie simply responded with a mostly unintelligble word and isolated a single sound out of the rubble therefore creating GWAR.

The band was the result of the collaboration between Hunter Jackson and Dave Brockie, then the singer for a punk band called Death Piggy. Jackson was working on a movie at the time the two met. The movie, entitled Scumdogs of the Universe, featured a plot involving terrifying intergalactic barbarians. Jackson and Brockie combined their ideas, re-named the band Gwar, and have been performing as ghoulish intergalatic warriors ever since. Their costumes are generally made of foam latex, styrofoam, and hardened rubber. It should be noted that the costumes they are wearing actually cover very little with the rest of their bodies being accentuated with makeup. They further their production in concert by dousing, spraying, and at times nearly drowning their audiences with imitation blood, semen, gore, and other bodily fluids. All the fluids are made of water and dye that washes out easily. It is rumored that corn syrup or a similar product has been used as a thickener.

Another trademark of GWAR’s live show is their mutilations of celebrities and figures in current events. Victims of GWAR’s antics have included O.J. Simpson, George W. Bush, Paris Hilton, and many others. The band also makes frequent references to political and historical figures, fantasy literature, and mythology. For instance, the song “Whargoul” makes reference to Minas Morgul, a setting in the J.R.R. Tolkien Lord of the Rings books; and the title of their sixth album Ragnarok comes from Norse mythology.

GWAR, though by no means a small-time band, have not enjoyed as much mainstream recognition as many other bands. Around the time of their second album (Scumdogs of the Universe), they enjoyed a fair deal of success, due in part to Beavis and Butt-head. After that, however, GWAR’s popularity waned and they were even featured on the VH1 program “Where Are They Now.” Though not at the peak of their popularity, GWAR was recently invited to play on the Sounds of the Underground tour, which was very well received.

Gwar were, at one time, banned from performing in their home city of Richmond, Virginia due to their raucous stage performances. During that time they would appear in their home town under the pseudonym Rawg and play sans costumes. The ban was later lifted and the band can now play in Richmond again in full gory attire. GWAR was banned earlier in North Carolina for obscenity reasons (Brockie was arrested for wearing his “Cuttlefish of Cthulu” prosthetic penis; this incident was the inspiration for GWAR’s America Must Be Destroyed album). Band members and associates often have cookouts at their house, dubbed “Gwar-BQ’s.” The video for “Saddam a Go-Go” from This Toilet Earth appeared in the hit movie Empire Records. Gwar was/is primarily a band of former art students, and this is reflected in the obscure references made in some of their songs. Gwar fans are known as Bohabs or Scumdogs.

Municipal Waste

Municipal Waste is a crossover thrash band from Richmond, Virginia formed in 2001. They are known for their loud, drunken, party atmosphere and rowdy show attendees, and also for their humorous thrash oriented parody song titles. Occasionally, they have been known to play unscheduled shows late at night. Municipal Waste are a crucial element of Richmond culture, and have four albums under their bullet belts, including 2009’s Massive Aggressive. Playing at This Is For You Fest ‘05 in Daytona Beach and at Super Sabado Gigante Fest 2 in January 2006 CA, they continued to gain national acclaim in the metal scene. They have toured Australia and Europe.

They had a successful 2006 US tour in support of Gwar. Staying on the road for a while, they then toured the US with Destruction in early 2007.

In 2008 they played at Download on the Tuborg stage on the Sunday in a half hour slot which was regarded as one of the best performances from any band over the weekend.

ORACLE

ORACLE (Indonesia Thrash metal band) was formed in 1999 as experimental process in music, by combining the current trend at that time such as industrial metal with other metal musical styles such as progressive and thrash. This in turned produced a unique sound that would become ORACLE sound. Founding members Mahendra a.k.a Vamp Shiver (Drums, Loops, SFX) and Jimmy a.k.a Zeitgeist (Guitar, SFX).

“Warna dan Dimensi” (Color and Dimension) the title of the first album. This album contains a mixture of Insdustrial metal and Thrash metal. ORACLE invited some talented musicians to help Emil a.k.a Demonic Darkstar on vocal, Wiwin on Bass, Andre on Keyboard and Nao on vocal. Due to difficulty of commiting the band, we were separated by time and situation.

In 2004, ORACLE was reunited and pursues in pure metal. The line up was Demonic Darkstar on vocal, Vamp Shiver on drum, Zeitgeist on guitar, Wisnu a.k.a Damien 666 on guitar. Marcell a.k.a Demon Horn from GETAH helped ORACLE to fill in the bass player position. After awhile, ORACLE found Bayu a.k.a Azrael to jumped aboard as a permanent bass player.

In 2006, Demonic Darkstar left the band and replaced by Troy a.k.a Balthazar on vocal. With Balthazar, ORACLE found their identity in their music. ORACLE focus on Thrash Metal genre after a long transformation of identity searching. We just release the new EP called “Judging The Sleepers” which contains Thrash Metal.

Currently, ORACLE has just released their new Thrash Metal album called “No Truth, No Justice”

Line-up:
Troy - vocals
Wisnu - guitars
Jimmy - guitars
Bayu - bass
Mahendra - drums

GIGANTOR

Gigantor is Indonesian Thrash metal band that was formed in Jakarta, Indonesia on May 6th 2006. The band was the next incarnation of Giant (which formed in 2002) by Rizky (vocals) and Irfan (drums). In the absence of their bandmates, they decided to recruit their former bandmates from both highschool band. Then came Dipo (guitar) and Barata (bass) to complete their line-up and made the band lives again. In the beginning, Gigantor played cover versions of their idol such as KISS, Pantera, Black Sabbath, Slayer and Anthrax. As time goes by, Gigantor now perform their own songs and also record them. But never forget to pay tribute to their roots and play their favourite heavy/thrash metal tunes. The band already released their self-titled debut on August 2010.

NEVERMORE

Biography

Nevermore is an American metal band from Seattle, Washington. Their precise musical style is debated by fans and critics alike. The band incorporates elements from styles such as Doom, Thrash, Power, and progressive metal into their songs, and also makes use of acoustic guitars and a wide range of vocal styles.

They started in the beginning of the 1990s, when the band Sanctuary was pressured by its recording label to change its musical style, switching from heavy metal to grunge, which was obtaining mainstream success at the time due to bands such as Nirvana and Pearl Jam. Two members of the band, vocalist Warrel Dane and bassist Jim Sheppard, didn’t agree with the change and thus proceeded to create a project of their own. Nevermore.

By the end of 1994, the band assumed a stable line-up, which saw the additions of drummer Van Williams and former Sanctuary touring guitarist Jeff Loomis . In 1995 Nevermore released its first, self-titled, album through Century Media Records. This album received much attention and specialized review, as its release was followed by an European tour with Blind Guardian and a North American tour with Death, both internationally-renowned bands.

Second guitarist Pat O’Brien joined the band prior to the release of the “In Memory” EP, and also took part in the recording of the subsequent album “The Politics Of Ecstasy”, both from 1996. O’Brien left Nevermore to play in Cannibal Corpse, and guitarist Tim Calvert, who had previously contributed to Nevermore through songwriting, replaced O’Brien as Nevermore’s guitarist.

Three years without releases followed, and in 1999 the album “Dreaming Neon Black” was released. Highly acclaimed, the album narrates the story of a man’s slow decline into madness, subsequent to the death of the only woman he ever loved. The tracks of this albums are varied in style, ranging from slow and melodic to aggressive and progressive. Warrel Dane put much effort in interpretation, emitting varied emotions from his vocals. The album’s lyrics are a partially true retelling of the events Dane underwent after the vanishing of his long-time girlfriend.

A long tour with several concerts followed, and Nevermore played together with bands such as Mercyful Fate, Arch Enemy, Iced Earth and Opeth. After the end of the tour, in 2000, guitarist Tim Calvert announced his departure from the band, subsequent to his marriage. Instead of finding a replacement, the band decided to continue as a quartet, only adding session guitarists for live appearances, such as Curran Murphy (who went on to play in Annihilator) and Jag Panzer’s Chris Broderick.

Nevermore proceeded to record “Dead Heart In A Dead World”, which was followed by tours with several bands, most notably with Savatage in 2001.

Their fifth album, “Enemies of Reality”, remained in production for over a year, and was released in 2003. This album faced much criticism for its production and was re-released in 2005, after being remixed by Andy Sneap. On tour, the band was joined by second lead guitarist Steve Smyth , formerly of Vicious Rumors and Testament; Smyth was eventually added to the line-up on a permanent basis.

A sixth album, “This Godless Endeavor”, was released in July of 2005. Nevermore then toured on Dave Mustaine’s Gigantour during the summer of 2005. In 2006 they are scheduled to tour with Disturbed. They are also playing in direct support to In Flames on the second leg of their North American tour.

2006 held a bit of bad luck for Nevermore, as bassist Jim Sheppard underwent a procedure for Crohn’s disease, which he has suffered from for over 15 years, and guitarist Steve Smyth was diagnosed with chronic kidney disease, he ultimately underwent a kidney transplant operation (which was successful). Warrel Dane developed type 2 diabetes, and the band was forced to cancel their show in Grand Rapids, Michigan, on May 13, 2006, due to an unspecified illness afflicting Dane.

According to the Official Nevermore website, www.nevermore.tv, their show on September, 12 2006 at the Zeche club in Bochum, Germany was to be filmed for Nevermore’s first full length DVD. This event was captured by 7 cameras and the live recording was produced by Andy Sneap. The double DVD set includes a Nevermore documentary, all of the bands promo videos and past recordings from their whole career to date. This DVD was expected to be released in early 2007, but was pushed back and eventually came out the following year (2008).

In August 2007, Steve Smyth stated that he will be parting ways with Nevermore. He is currently promoting his solo album that was recently released, The EssenEss Project.

2007 was a slow year for Nevermore as Warrel Dane, Van Williams and Jeff Loomis all worked on their own side projects for a good part of the year, only taking time off to do various festivals and a small tour.

Nevermore released The Year Of The Voyager in 2008.

In late 2009 Nevermore entered the studio with Peter Wichers to record their seventh album The Obsidian Conpiracy. It was released May 31st in Europe and June 8th in America. They also completed their line-up with the addition of Hungarian Guitarist Attila Vörös. The Obsidian Conspiracy is also available in a limited edition box with a CD ROM titled Shed Like Loomis (featuring sheet music and guitar tabs and videos of Jeff Loomis playing guitar for two of the new songs), postcards featuring artwork and lyrics, and a digipak version of the album with two bonus cover tracks (The Tea Party’s Temptation, and The Doors’ Crystal Ship).

Nevermore is:

• Warrel Dane – vocals
  
• Jeff Loomis – lead, rhythmn and acoustic guitar
  
• Jim Sheppard – bass
  
• Van Williams – drums
  
• Attila Vörös - Current Touring Guitarist
  
  Former members
  
  
• Mark Arrington - drums, percussion (1991 - 1994)
  
• Adam Gardner - alternative percusion (live,1992-1993)
  
• Pat O’Brien - rhythm guitars (1994 - 1996)
  
• Tim Calvert - rhythm guitars (1997 - 2000)
  
• James MacDonough - bass (live, 2006)
  
• Curran Murphy - rhythm guitars (live, 2002-2004)
  
• Steve Smyth - rhythm guitars (2004 - 2007)
  
• Chris Broderick - rhythm guitars (live, 2003, 2006, 2007)

Sodom

Sodom is a German thrash metal band formed in Gelsenkirchen, Germany in 1981.

Along with the bands Kreator and Destruction, Sodom is considered one of the “big three” of Teutonic thrash metal. While the other two bands created a sound that would influence death metal, Sodom’s music style would greatly influence many late-1980s and early-1990s black metal bands, among others.

Sodom’s original line-up consisted of Tom Angelripper, Bloody Monster, and Aggressor. The band was initiated by Tom as a desperate attempt to get out of having to work in coal mines in his hometown of Gelsenkirchen. Taking inspiration from bands such as Motörhead, Saxon, Tank, Venom and Accept, the group released two demos which led to a record deal with Steamhammer (which were not recorded with Bloody Monster, who by this time was replaced by Chris “Witchhunter” Dudek). Aggressor left the band shortly before releasing the “In the Sign of Evil” EP (generally regarded as an important early black metal release), and was replaced by Grave Violator, who himself did not last long, and left following the recording of “In the Sign of Evil”. Michael “Destructor” Wulf was found as a replacement, after which the band went and recorded “Obsessed by Cruelty”, their full-length debut featuring music that was mostly in the vein of “In The Sign of Evil”. Wulf did not last in the band long, and later went and joined Kreator (he would not last long there either, and he died in 1993 after a tragic motorcycle accident).

For the most part, Sodom was at first not taken seriously, with various press sources describing them as “a second-rate Venom clone with semi-inventive lyrics”. One member would change that. Frank “Blackfire” Gosdzik came in to fill the guitar spot Wulf had left behind. Frank convinced Tom that thrash metal was moving beyond horror/occult/satanic themes of bands like Venom to embrace political, societal, and war themes. Tom was already interested in various wars yet remained a peacenik. New inspiration culminated into Frank’s full-length debut with the band, “Persecution Mania”. The new lyrical approach and increased musicianship on the part of Frank gave the band great acclaim (as well as a gas-masked mascot Knarrenheinz, who appeared for the first time on Persecution Mania’s cover). They soon embarked on a tour of Europe with the Swiss thrash metal band Coroner. After touring for the better part of 1987 and 1988, the band returned to the studio to make another album. The final product, “Agent Orange”, sold 100,000 copies in Germany alone. This made Sodom famous, giving them worldwide critical acclaim, and secured their place alongside Kreator and Destruction as one of the great Teutonic thrash metal bands. To this date, “Agent Orange” has sold more than any other German thrash-metal album in the world.

Problems were brewing inside of the band, however. Tom and Chris descended further into alcoholism−and in Chris’s case, drug use. Furthermore, Frank had grown tired of composing music that his band-mates would often perform poorly live. Mille Petrozza of Kreator offered Frank a position with his band, after they lost their second guitarist, and Frank accepted. Angelripper went out looking for a replacement and found Michael Hoffman, formerly of German thrashers Assassin.

With this line-up, the album “Better off Dead” was released in 1990. During the South American tour however, Hoffman decided to stay in Brazil and was therefore forced to quit. Andy Brings replaced him, and a new album was recorded, “Tapping the Vein”, with more of a death metal sound. This proved to be the last album with the drummer Witchhunter: He was kicked out of the band, and Atomic Steif formerly of both Holy Moses and Living Death became his replacement behind the drum kit.

The group recorded the album, “Get What You Deserve”. The death metal influences were out; the influence of punk came in. “Get What You Deserve” had an arguably grotesque album cover (featuring a dead man shot and lying in his bed with a woman tied-up nearby), and many fans did not take to the band’s new direction. This period also marked the beginning of less international visibility for the band as thrash lost its commercial viability for the remainder of the 1990s. Angelripper also started a solo career doing metal impressions of drinking songs, German schlagers and even Christmas-type carols. A live album was recorded of the tour in support of the resulting album called “Marooned - Live”.

“Masquerade in Blood”, in the same vein as the previous album, was released in 1995. Again another guitarist had to be found. The new choice, Strahli, did not stay very long with the band. He was arrested and imprisoned on drug-related matters and has since been difficult to locate, mostly because he’s homeless. Atomic Steif also left and again Angelripper needed to search for new members. These were found: a guitarist in Bernemann and a drummer in Bobby Schottkowski. This line-up stabilized the band significantly and is still current.

The album “‘Til Death Do Us Unite” featured a controversial album cover, depicting a woman’s pregnant belly and a man’s beer gut pressing in a human skull together. This album marked the beginning of Sodom’s return to thrash but was more along the lines of a thrash-crossover sound and had much in common with bands like Suicidal Tendencies. It also spawned the song for which Sodom would make their most famous music video, the highly-controversial song “Fuck The Police.” After this album, Sodom returned to the studio and released “Code Red” in 1999 which marked a full return to the Teutonic thrash metal sound of the 1980s, and it was met with praise from fans and press alike. A limited edition featured a bonus CD containing a tribute to Sodom album, “Homage to the Gods”. With 2001 came the release of “M-16”, a concept album about the Vietnam War, which took its title from the famed M16 assault rifle. A tour followed with the other two big German thrash metal bands Kreator and Destruction, but Sodom ended up going on its own halfway through the tour due to a feud between Destruction bassist Marcel “Schmier” Schirmer and Tom Angelripper. Destruction claimed Sodom ripped off their music and sound.

In 2003, a double live album was recorded in Bangkok, Thailand, titled “One Night in Bangkok”. A new album simply titled “Sodom” was released in 2006, in the same vein as “M-16”. The title was chosen - as Angelripper explained it - because every band needs a self-titled album, and the band had never released one. The album was delayed however, because the DVD “Lords of Depravity” took more time to compose than initially thought.

In 2007, Tom was asked by the record label Steamhammer for any tracks to be released on the “In The Sign Of Evil” EP. Tom believed there were, and the label floated the idea to Tom to get ex-members Chris Witchhunter and Grave Violator (real name: Franz Josef Peppi) to re-record the EP with the bonus tracks. The result became “The Final Sign of Evil”. Chris “Witchhunter” Dudek died on 7 September 2008 from liver failure after a long battle with illness.

In 2009, Sodom returned to the UK to play their first show in 20 years at Bloodstock Open Air.

The band is now currently in the studio recording their next album entitled “In War And Pieces” which is due for release on November 22, 2010 via SPV records.


Current members:

* Tom Angelripper (Thomas Such, Onkel Tom) - Vocals/Bass (Desperados)
* Bernemann (Bernd Kost) - Guitars (ex-Crows)


Former members:

* Aggressor (Frank Testegen) - Guitars (1983-1984)
* Grave Violator (Pepi Dominic) - Guitars (1984-1985)
* Destructor (Michael Wulf) - Guitars (later Kreator) (1985-1986) R.I.P. in 1993.
* Assator (Uwe Christophers) - Guitars (ex-Darkness) (on tour in 1986)
* Frank Blackfire (Frank Gosdzik) - Guitars (later Mystic) and Kreator) (1987-1989, special appearance in the December 28, 2006 concert in Bochum)
* Uwe Baltrusch - Guitars (on tour in 1989/1990) (also in Mekong Delta, later House of Spirits)
* Michael Hoffman - Guitars (ex-Assassin) (1990)
* Andy Brings - Guitars (later Powergod) (1991-1995)
* Strahli (Dirk Strahlimeier) - Guitars (1995-1996)
* Chris Witchhunter (Christian Dudek) - Drums (1983-1992) (see also Destruction and Bathory)
* Atomic Steif (Guido Richter) - Drums (later Stahlträger and Assassin), ex-Sacred Chao, ex-Holy Moses, ex-Living Death, ex-Brotós) (1992-1996)
* Bobby Schottkowski - Drums (ex-Crows, ex-Onkel Tom Angelripper) (1997-2010)


Discography:

* Obsessed by Cruelty (1986)
* Persecution Mania (1987)
* Agent Orange (1989)
* Better Off Dead (1990)
* Tapping the Vein (1992)
* Get What You Deserve (1994)
* Masquerade in Blood (1995)
* ‘Til Death Do Us Unite (1997)
* Code Red (1999)
* M-16 (2001)
* Sodom (2006)
* The Final Sign of Evil (2007)

* In War and Pieces (2010)